Tifa -LIMIT-

"Tifa -LIMIT-"

Been a while since I've done fan art stuff, eh?
I figure with Final Fantasy VII Remake just around the corner (somehow wasn't lost to the dancing crabs) it'd be a good time to do some art for the roster's redesigns, of which Tifa's was definitely the most anticipated — and most divisive — by the fans. (Personally, I think it's perfect.)
This was a bit of a test to see if I could carry over my own style to other properties, and I think this is a note of success on that front. Also, pushing myself on more dynamic posing and even motion, as is seen on the kicking left foot.
The colors follow the same way I've been doing my own characters, with no-frills coloring with deep shades being subdued with light lavender over a hatched pencil base layer.

September 1, 2019
Sakura Pigma pens, pencil, Prismacolor Markers, charcoal pencils, and POSCA paint pens
on 9x12" smooth bristol stock.

Crisis for the Planet

"Crisis for the Planet"
(Final Fantasy VII)
 
This is a redo of a much older piece. I had it in mind to go back to this one for quite a while, however, the original had a lot of motifs I feel are now rather cliche of me, so I wanted to find a way to make it fresher.
Firstly, I changed the poses held by the two characters, putting Aerith in a prayer stance (which doubles as covering herself, lol), and placed Sephiroth in a powerful outstretched arms pose. It's minor, but adds more dynamics and personality to their presence. I also ditched the Advent Children-esque look for somewhat more classic-faithful models, which I also tried to replicate in the coloring style, mixing markers with colored pencils for a recreation of texture found in Nomura's character illustrations.
Losing the yin/yang motif, I moved the Materias to the sides, being "cupped" by the ends of the central glyph, which to keen eyes is recognized as the symbol used on the title card and opening credits. For the background colors, I wanted the base colors of the materia to start around their locations and swirl into a mix as they approach the opposite, invoking a sort of color wheel look.
As a final touch, I put my signature at both ends so there's no "real" top or bottom to this piece.


March 30, 2018
Micron Pen, Sakura Pigma pens, Prismacolor Markers, colored pencils, and gel pens
on 8.5x11" cardstock 
Paper texture added digitally via Photoshop Elements 7.0