Thursday, August 17, 2017

Dreams Come True

"Dreams Come True"
(Sonic The Hedgehog series)
Admittedly, I'm not a Sonic fan. Or rather, I never grew up with Sonic. I played a few games here and there when visiting friends and relatives who had a Genesis, however our household was SNES. That being said, my small time with those classic cartridges made me understand why Sonic is so revered by his fans... And why the 3D generation has had them so downtrodden over the franchise. I still have yet to play Sonic Mania due to the PC version delay, however, I am definitely on board the hype train for it, especially for my wife, who had grown up with Sonic and knows Sonics 2, 3, and 3&K  like the back of her hand.
Oddly enough, I had this picture in mind for quite a while now, but kept it stewing until it bubbled over. And I'm glad I did, because the final product is bounds over the minor ambition the original plan was. I tried my best to let the colors do the talking rather than thick dark ink lines and crisp cel-style shading. The background had a LOT of ambition poured into it, but I think despite my many flubs and supply issues, it still turned out well.
Trying to imagine what the Chemical Plant Zone would look like from an outside view was kinda difficult, so I kinda tucked it away. lol

August 17, 2017
Mechanical pencil, Copic pen, Prismacolor Markers, colored pencils, and gel pen
on 8.5x11" cardstock

Sunday, July 30, 2017

Xenogals: 'Vierge'

"Xenogals: 'Vierge'"
Almost forgot about this project! lol Well, a year later's better than never, right?
The Vierge is main female character and love interest Elley's gear throughout most of the playable game. It has a very feminine design that made translating it to Mecha-Musume rather easy, so I decided to have fun with it by having her/it do it's rare Aerod (Funnel) attack. It gave me a chance to give this one some personality, and I think it makes it my favorite of the four done, thus far.
I think the bright colors turned our better than I had thought they would. My pink selection's limited, and the Vierge has 3 or 4 differing tones of pink on its body, and I think I managed to separate them pretty well. Especially compared to the Weltall's 4~5 different blue-greys...

July 30, 2017
Sakura Pigma pens, normal pens, Prismacolor Markers, and gel pens
on 8.5x11" cardstock

Saturday, July 8, 2017


What can I say about Undertale that hasn't already been said? It's the most amazing indie RPG I've ever played, and love its twists in both gameplay and narrative, and I love how much the game is actually playing you, in the end. It's weird how attached you can get to characters in what feels like only a 7-10 hour game.

This piece started as a simple sketch. The human handing the monster a flower. The best part of this concept is the duality of the symbolism, especially depending on how you run the game. It's one that hit me hard in conceptualizing, and had to get it out quickly. I had no intention on coloring it, so instead I just did some digital shading on the piece, transferred it to a copper parchment texture, and erased part of that around the human (I'm intentionally being vague with the characters, as playing this game I feel is best to go in with as little idea as to what it is as possible). I only colored the flower, giving a bit more power to its presence, as small as it may be.

July 8, 2017
Pencil and Photoshop Elements
3300x2550 pixels (native)

Thursday, July 6, 2017

The Chozen One

"The Chozen One"
(Samus Aran from Metroid/Original Concept)
I'll be honest, this isn't the most original idea, as I've seen other knight armored Samus' in the past. But with the Varia Suit design updated for the upcoming Metroid: Samus Returns, I love the layered armor look that they did for it, and it made me want to convert it into a more traditional armor set. And yes, I even opted to make sure the entire body was covered, if not in armor, than in cloth and chain mail. I did a lot of gaps in the armor simply to keep Samus' agility and acrobatics intact, but decided to give her under garb akin to her zero suit. I really like the sword, designed to look like her arm cannon, and the cape, which has the silhouette of a familiar nemisis...

Rather than inked lineart, I just did it in pencil, to keep it relatively soft. I reprinted it onto ivory parchment paper (with a slight brown hue to the lining) and colored it with my standard fare of Prismacolors. I tried to keep the shades soft, as well, going for more typical older medieval fantasy art. I only used a white charcoal pencil for highlights here and there.

July 6, 2017
Pencil, Prismacolor markers, and charcoal pencils
on 8.5x11 parchment paper

Monday, May 29, 2017

Komm Süsser Tod Ver.:||

"Komm Süsser Tod Ver:||"
(The End of Evangelion)
A redo of a piece I had done way back in 2005, this piece was both a nod to one of my favorite movies (still, to date), as well as an overall visual of how far I've come in the last 12 years. I saw The End of Evangelion in my late teens, so I definitely feel I saw it at the ideal point in my life to have the biggest impact (heh), and that it did. Evangelion as a whole influenced a lot of my current social perceptions, and rightfully shaped me into who I am today (for better or for worse).

While the prior version was inked on a legal size (14x8.5) sheet and colored digitally, this version was done on 11x17, and traditionally. Kind of an incidental flip on the franchise's current trends. My understanding of anatomy has improved dramatically, but I've seemed to have lost the ability to mimic Sadamoto's linework styling (though saying my first version was a successful attempt would be an attack on his talents).

Things like the background were much more fleshed out, and each character has been added some dynamics to their prior stoic and bland forms. The Eva's wings have also lost the inked lining to their shape, and are now all colored and a brighter color. The starburst around the sun was the riskiest part, but I feel it paid off when viewed with the whole of the work.

May 29, 2017
Micron pens, Pigma pens, Prismacolor markers, colored pencils, chalk pastels, and gel pens
on 11x17 cardstock

"Komm Süsser Tod"
(The End of Evangelion)

Unknown, 2005
Normal pens and PainterClassic
1307x800 pixels

Monday, March 27, 2017


(Link and Zelda from The Legend of Zelda: Breath of the Wild)
I honestly can't believe this was my first Zelda piece in over 10 years. But it's also the first Zelda game I've been this into in over 10 years. While I enjoyed Wind Waker and Twilight Princess immensely (Especially so their HD ports on the Wii U), the "wow" factor of Breath of the Wild is... Well, wild! So much of this is such a welcome departure for a reliable yet stagnating franchise.

Choosing to not ink this piece was the biggest risk I'd taken in a while, but, honestly, I think it paid off. Given this is my first illustration of Link in a decade, it's nice to make him feel different than ever before. And I've grown to love his blue tunic / no cap approach. All the little details throughout his shirt, tunic, hood, and arm wraps allows him to stand out unlike prior iterations. And I loved the challenge of adding all those little details to this piece. The background was a completely different beast, though, as there were so many different concepts to use before I decided on this angle and sky tone. If you wander the map enough, this is an exact place somewhere in Hyrule.

I also did a digital-background version for a contrast (Seen below), much like the in-game tone. Not really sure which I prefer, though. I won't translate the text here, as it is a semi-spoiler, but if you look into the Sheikah language, you can find out for yourself...

March 27, 2017
Prismacolor markers, Colored pencils, and gel pens
on 8.5x11 cardstock

"Breathe" (Sheikah Slate version)
Background created and edited in via Photoshop Elements 7